Koji Kashin ( 果心居士, Kashin Koji) is a clone of Jiraiya that was created by Amado Sanzu for the purpose of killing Isshiki Ōtsutsuki. A former Inner of Kara, he was in charge of the sector on the outskirts of the Land of Fire . Contents 1 Background 2 Personality 3 Appearance 4 Abilities 4.1 Physical and Chakra Prowess 4.2 Ninjutsu The powerhouse trio of Olivia Colman, Dakota Johnson and Jessie Buckley lead the line in Maggie Gyllenhaal's directorial debut, The Lost Daughter, which is reason enough to sit up and take notice. It once happened with a certain man whose name was Yoḥanan and whose wife was Miriam, that he had a certain Hebrew maidservant who was espied by a man whose name was Joseph, the son of Pandera. He had taken notice of the man's maidservant and came upon her whilst she was impure, by reason of her natural purgation, and had laid with her when she was lying alone in the dark. Majel Barrett Roddenberry (23 February 1932 - 18 December 2008; age 76) was a recurring actress in the Star Trek franchise and was the wife of Star Trek creator Gene Roddenberry from 1969 until his death in 1991.This association with Roddenberry and his most famous creation has earned Barrett the title "The First Lady of Star Trek".. Barrett was the only performer to have had a role on the This quiet story of a woman who moves to a small English village around 1960 is such a lovely, insightful, and inspirational novel. Elizabeth Goudge (who also wrote The Dean's Watch), is an author who deserves to be remembered. Mary Lindsay, a fiftyish Londoner who never married (her fiancé was killed in WWII), unexpectedly inherits a country house from her father's cousin, an older woman Blue's Big City Adventure. Oct. 12, 2022. added Official Trailer to movie trailers & videos. changed the US film release date from November 18, 2023 to November 18, 2022. added Steven Pasquale as actor to movie credits. added Phillipa Soo as actor to movie credits. added Alex Winter as actor to movie credits. added Taboo as actor to movie biqSK. What to know A far-fetched story with little suspense and unconvincing scenarios, Lady In The Water feels contrived, pretentious, and rather silly. Read critic reviews Rent/buy Rent/buy Rent/buy Lady in the Water Photos Movie Info When Cleveland Heep Paul Giamatti rescues an enigmatic young woman Bryce Dallas Howard from danger, little does he know that she is a character from a bedtime story, who is trying to return to her world. As he falls deeply in love with her, he begins to realize that he and fellow tenants are also characters in the fable, and they must work together to protect her from those who would prevent her from returning home. Rating PG-13 Some Frightening Sequences Genre Fantasy, Drama Original Language English Director M. Night Shyamalan Producer M. Night Shyamalan, Sam Mercer Writer M. Night Shyamalan Release Date Theaters Jul 21, 2006 wide Release Date Streaming Dec 19, 2006 Box Office Gross USA $ Runtime 1h 50m Distributor Warner Bros. Production Co Blinding Edge Pictures, Legendary Pictures, Warner Bros. Sound Mix SDDS, DTS, Dolby SRD Aspect Ratio Flat Cast & Crew News & Interviews for Lady in the Water Critic Reviews for Lady in the Water Audience Reviews for Lady in the Water Oct 03, 2013 You know, when I see this film's title, for whatever reason, I can't help but think of PJ Harvey's "Down by the Water", and while that doesn't mean that I'm going to quote lyrics from that song, - seeing as how I try to avoid quoting '90s songs if I can - it is to say that there is some irony in my thinking of that song, seeing as how it's probably creepier than this "thriller". ...Huh, actually, I say that like that song doesn't raise too high of a standard when it comes to creepiness, but you can take only so much of PJ Harvey whispering, "Little fish, big fish, lady"-I mean, "swimming in the water, come back here, man, gimme my daughter" behind a brooding synthesized organ and stinging string section before you either say, "That's '90s music for you either straight depressing or depressingly bad", or, "Jeez, PJ, when does the fade-out kick in?". Oh man, I just realized that I ended up quoting that blasted '90s song after all, but hey, the line I was referring to was just a rip-off of "Salty Dog Blues" Early 1900s, now that's rock so classic that it predated rock, so you know I'm going to be quoting it, and at any rate, what, do you expect me to actually talk about this movie? Seriously though, I am one to get off of the subject to talk about music, but then again, this film does the same thing. No, seriously, I mean that it does the "exact" same thing, because James Newton Howard's score is probably more interesting than the film itself, though that's not to say that Bryce Dallas Howard's legs keep you a little invested in the visual happening of this film. ...Okay, they're not all that, but they're not too shabby, and yet, the real fact of the matter is that she is most certainly not playing Amish in this M. Night Shyamalan film, you know, as if you didn't get a big enough hint regarding her limitations in purity from her being trailed by bizarre, otherworldly creatures, like Paul Giamatti. I'm kidding, Paul, you're apparently cool enough to be hooking up with Bryce Dallas Howard, even if you're tastes in projects aren't consistently strong, because even though this film isn't as messy as they say, it has its fair share of problems. I'm not asking for all that much uniqueness out of this film, and limited uniqueness is exactly what this film's story concept promises, yet not to a degree I was expecting, because there are some genuinely refreshing areas to this premise, and more often than not, they go undercut by a conventional interpretation, whose familiarity sends this narrative down a predictable road that may hit some unpredictably strange areas, but reaches those moments through a formulaic path that isn't even walk upon briskly. At least in recent years, it's become difficult to determine whether or not a film by M. Night Shyamalan will be mighty limp or reasonably entertaining, but I'm here to settle your concerns and boast that this film is, in fact, slow, at least on the whole, as there are some fun bits here and there throughout the final product, yet they go bridged by atmospheric dry spells that quiet things down and bland things up, while stiffening pacing. The film isn't glacial, but you feel most every one of this effort's 109, sometimes gratuitous minutes, and when things really do kick in, the jerk is sometimes unnerving, thus plaguing the final product with a pacing inconsistency that limps storytelling along, though isn't exactly the only form of unevenness in storytelling. The film juggles all kinds of tones, and I've got to give some credit to this effort for its conceptual layers, but in execution, those layers don't stack together comfortably, as the film jars back and forth between tense drama, if not "thrills", and light fluffiness, though at least keeps consistent in some kind of a cheesiness, whether when it's plaguing the fluffier bits with some fall-flat comic relief, or tainting the dramatic - if you'll forgive me - "waters" with histrionics. Tone is uneven in this film, and that shakes consistency in focus, but only when there is, in fact, focus, something that is limited in this film, which drags along and bloats itself with too much material and filler, trying to pump up a narrative that has only so many places where it needs to be pumped up, and plenty of flawed areas for ambition to emphasize. I commend this film for going the way of plenty of Shyamalan films and putting its heart in the right place, but alas, much like the gunner man, Jimmy the Saint and the Whiz-Bang Gang from uptown, ambition gets "lost in the flood" A reference to this film's water theme and a Bruce Springsteen song at the same time, now that's how it's... forcibly done, son, not to where a decent film is lost, but certainly to where potential is "watered" down by ambition's questionable decisions and reflection on other missteps. Still, the film doesn't "sink" as deeply as, well, my water puns, nor does it fall flat as much as they say, being flawed, sure, but enjoyable, even on a musical level. Okay, in the opener, I joked that James Newton Howard's score is perhaps more interesting than the film itself, and make no mistake, that was a joke, because this isn't one of Howard's strongest efforts as M. Night Shyamalan's go-to score composer, as his efforts are formulaic and often too minimalist to be all that exciting, but on the whole, Howard delivers quite a bit, being generally effective in his thoughtful, almost Danny Elfman type of taste in whimsy, controlled with enough minimalism to be atmospherically effective. There's a lot of atmosphere to the film's score work, alone, and such atmosphere is not only musically engaging, but perhaps more effective than much of the atmosphere within directorial storytelling, and some stylish filming further immerses you, so on an artistic level, the film is inspired enough to actually breathe some life into substance, which deserves compliments. As I said earlier, the film's conceptual refreshingness is betrayed by a conventional and often even limp interpretation, but still stands, at least on paper, inspiring a hint of immediate engagement value that goes augmented by the commendable areas within the basic premise itself, because no matter how overblown the film's story may be, the aspects that actually belong to this subject matter are reasonably worthy, backed by an intriguing, if often silly mythology, and some engaging dramatic elements. The film's story concept isn't that strong, but potential is still visible enough keep you from fall too far away, and when it is emphasized by what M. Night Shyamalan does reasonably well as director, I must admit that I was pretty intrigued, because even though Shyamalan's aimless meditations often bland things up, it sometimes soak up enough genuine intrigue to entertain adequately, if not tense things up a touch. If nothing else, Shyamalan's perhaps overly ambitious direction has a certain charm to that endeared me, because even though Shyamalan's directorial missteps are rarely, if ever so faulty that I found myself fearing the seriously mediocre final product that plenty are saying this is, there's enough heart behind this sloppy project to keep up some degree of engagement value, which is most secured by, of all things, the onscreen talents. The film doesn't have enough material to be especially well-acted, but to my pleasant surprise, acting is arguably the final product's strongest element, with even most everyone in the supporting cast proving to be memorably charming, while the leads particularly deliver, whether when we're talking about Bryce Dallas Howard, - who is subtly convincing as an otherworldly being fearing for her life as she struggles to save the lives of many others - or Paul Giamatti, who is charismatic, with a convincing stutter and portrayal of an ordinary man who finds himself caught up in extraordinary situations. Howard steals the show, while Giamatti carries it, which isn't to say that this cast isn't comprised of enjoyable performers, who ultimately prove to be more endearing than the film itself, yet aren't exactly the only endearing elements out of this film, whose entertainment value and effective moments proves to be enough to make an enjoyable, if improvable final product. When the waters have passed by, conventional, often dry, sometimes tonally uneven, and rather unfocused storytelling betray potential and leave the final product to wash up as underwhelming, but never be truly pulled down into mediocrity, as there is enough decent score work, conceptual intrigue, charming, if not effective direction and strong acting to keep "Lady in the Water" flowing along as a pretty enjoyable and often reasonably engaging fantasy drama, even if it is a touch too watered down for its own good. - Fair Oct 25, 2012 I'm not sure why this film was made. Super Reviewer May 26, 2012 Lady in the Water is another visionary film from writer/director M. Night Shyamalan. The film brilliantly merges a fairytale into modern day life; when a water nymph comes to our world on a mission, things go wrong and she needs the help of a group of special people to get back home. Paul Giamatti and Bryce Dallas Howard lead the cast and give strong performances. It's especially impressive how the film progresses from the ordinary to the supernatural in such a subtle way as to draw the audience into the story. And, James Newton Howard provides an enchanting and magical score that heightens the fantasy themes. There are some flaws, but Lady in the Water delivers an imaginative and mystical adventure that's both entertaining and uplifting. Super Reviewer Mar 21, 2012 Shyamalan's more personal project seems interesting but very ludicrous and silly at times. Some parts are convincing, others arn't so much, his second flop couldn't save much from his writing. Super Reviewer search in 6723680 subtitlesSearchUploadRequestForumBlogPlayerMovie details "Time is running out for a happy ending.". Apartment building superintendent Cleveland Heep rescues what he thinks is a young woman from the pool he maintains. When he discovers that she is actually a character from a bedtime story who is trying to make the journey back to her home, he works with his tenants to protect his new friend from the creatures that are determined to keep her in our rating / 10 99899 Directed by M. Night ShyamalanWriter credits M. Night ShyamalanCast Paul Giamatti - Bryce Dallas Howard - Jeffrey Wright - Bob Balaban - Sarita ChoudhuryAKA ?, A Dama na ÁguaUpload subtitlesIf you want to be pernament logged-in, check in form remember meLog-In Bộ phim thuộc thể loại kinh dị giả tưởng Lady in the Water do đạo diễn nổi tiếng người Ấn Độ M. Night Shyamalan nhào nặn và cũng là người viết kịch bản. Ngoài ra, đạo diễn M. Night Shyamalan cũng góp vốn sản xuất Lady in the Water và để hãng Warner Bros phân phối. Lẽ ra, bộ phim này sẽ do hãng Walt Disney sản xuất, nhưng do một vài bất đồng về ý tưởng nên đạo diễn M. Night Shyamalan đã quyết định bán bản quyền sản xuất phim cho Warner in the Water được xây dựng dựa trên câu chuyện mà đạo diễn kiêm nhà biên kịch M. Night Shyamalan rất yêu thích, và thường kể cho con gái của ông nghe vào giờ đi diễn M. Night Shyamalan đã từng rất thành công với một loạt các bộ phim giả tưởng khác như The Sixth Sence Giác quan thứ sáu 1999 và mới nhất là The Village 2004. Riêng với The Sixth Sence, đạo diễn tài năng này đã mang về cho hãng Walt Disney một khoản doanh thu trên 600 triệu USD từ tất cả các rạp chiếu trên thế giối mặc dù toàn bộ chi phí làm phim chỉ có… 55 triệu USD. Giác quan thứ sáu cũng được xếp vào top 25 phim có doanh thu thương mại lớn nhất trong lịch sử và là phim hành động thành công nhất của hãng Walt cảnh trong phim "Lady in the Water".Được sản xuất với ngân sách khiêm tốn là 75 triệu USD, nhưng hãng Warner Bros và bản thân đạo diễn M. Night Shyamalan vẫn kỳ vọng câu chuyện ma quái và bí ẩn của Lady in the Water sẽ “hốt” về cho các nhà sản xuất hơn 150 triệu USD trong tuần đầu ra in the Water bắt đầu khởi chiếu vào ngày 21/7 dung phimTrong một lần thay bóng đèn cháy và sửa ổ điện tại căn hộ Cove, ông Cleveland Heep tình cờ phát hiện và cứu sống một thiếu nữ tên là Story. Ông Cleveland thấy làm lạ khi Story cho biết, cô đang sống tại con đường nhỏ nằm phía dưới bể bơi của tòa nhà Clove. Tới lúc đó, ông Cleveland mới hiểu rằng, Story thực ra là một “Naft” - một nhân vật không có thực, chỉ xuất hiện trong các câu chuyện giả tưởng mà các ông bố bà mẹ vẫn thường kể cho các con vào giờ đi một nữ thần, Story có khả năng biến đổi cuộc sống của những người xung quanh, đặc biệt là những người từng giúp đỡ cô. Chính vì vậy, cuộc gặp gỡ tình cờ nhưng định mệnh với Story đã kéo ông Cleveland và những người bạn của ông vào một thử thách mới, trong đó, kẻ thù của ông là lũ quái vật vô Cleveland cũng ngộ ra rằng, chính ông và những người sống trong tòa nhà Cove cũng là những nhân vật trong câu chuyện cổ tích đó. Sứ mệnh mà ông và những người bạn của ông phải gánh vác chính là cùng Story lý giải bằng được một đoạn mật mã lạ…Mi VânTheo Yahoo/Comingsoon Sinopse Trailer e vídeos Créditos Fotos Notícias Curiosidades Lady in the Water Data de Estreia 01/09/2006 Gênero Drama , Fantasia , Suspense Duração 110 min. Origem Estados Unidos Direção M. Night Shyamalan Roteiro M. Night Shyamalan Distribuidor Warner Bros Classificação - Ano 2006 Favorito Gostei Não Gostei Quero Ver Não Quero Ver Envie também um comentário * Comentários contendo qualquer tipo de palavrão, ofensa ou discriminação serão deletados e seu perfil bloqueado. Sinopse O zelador de um modesto prédio encontra uma `ninfa do mar` na piscina de seu apartamento. Logo, ele descobre que ela é uma personagem de uma fábula, assim como ele e seus vizinhos. Todos, então, se juntam para ajudar a misteriosa jovem a voltar para seu mundo. Onde assistir A Dama na Água? Assistir Trailers e Comerciais Imagens e Fotos Veja também, no mesmo Gênero Comentários 8 Senhor Ivan! comentou Quando se fala e ver, Shyamalan na direção,ou até mesmo na produção,com certeza a primeira coisa que vem em mente,é que irá vir um belo suspense por A Dama na Água,teve tudo para isso não fosse pelos absurdos na histórias,criada pelo o próprio não convence nem mesmo crianças a ser bons ingredientes para se ter um bom porque traz no papel principal,Paul Giamatti,que mesmo em um filme tão defeituoso,conseguiu se destacar em suas só não esquecendo,uma bela exibição de Bryce Dallas Howard. Nota 20/10/2013 Responder Super 10 comentou filme mais chato e ruim sem sentido é o que não falta! Nota 04/06/2013 Responder ASR comentou falou em fabula ja é o suficiente pra eu nao ver esse filme Nota 04/06/2013 Responder

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